Next week you will be completing mock exam questions for the Magazines section of Paper 2 .
Please use the time before then analysing the key pages of the texts and any relevant theory and background information and planning the content of your answers.
You will have 50 minutes to complete both questions .
a) Discuss the influence of historical context on representations in the set edition of Vogue magazine. [15]
b) Explore how the set edition of The Big Issue conveys viewpoints and ideologies. [15]
• Distribution method – “Since
the magazine was founded, we have been in partnership with the people who sell
it. Vendors buy The Big Issue for£1.25and sell it for£2.50. Each seller is a micro-entrepreneur
who is working, not begging” https://www.bigissue.com/latest/how-much-does-the-big-issue-cost/
The magazine is
one part of The Big Issue Ltd alongside:
The Big Issue
Foundation – an independently funded charity which provides support and
guidance for vendors in areas such as training, education, health and housing
Big Issue
Invest – helps to finance sustainable social enterprises, charities and a
social trading platform
The Big Issue
Shop – buyers purchasing eco-friendly products, or products from organisations
which use profits to support social enterprises or charitable causes
Feature: 'Rise of the Homeless Bakers: No Soggy Bottoms Here!' (p.41)
Adverts: look at selection
Look at choice of language,themes and topics layout, images,colour etc. and how that informs/entertains the audience and gives clues to the magazine's editorial position and ideology
1 Summarise the key change in social attitudes to gender that happened in the 1960s , as well as changes to the economy ,consumer goods,travel.food and culture such as fashion and music
Use these links to help
• Increased opportunities for women to have jobs – be more than wife or mother.
• Developments – women attending university – intellectual and financial freedom – greater
expectations.
• Woman realised they were being badly treated – not paid the same as men for example.
• Advertisements criticised for offering a limited view of women. • Betty Friedan (American feminist) – ‘women are shown solely as: men’s wife, mother, love object,
dishwasher, cleaner and never as a person’. • Women’s rights ‘hot news’ by the end of the 1960s – women’s liberation movement – shocking
for some.
• Demands for equal pay/ opportunities – protests/ marches.
• Advertisers ‘unsure how to react’ to the women’s movement – advert for intercity – women
singing about their rights - but heading home before their husbands find out 2 Analyse the following sections of the Vogue key text magazine for technical codes and how they represent and appeal to their historical target audience , including reference to any of the changes explained above
Front cover of magazine Contents page (p.3) Feature: 'Money: Questions and Answers' by Sheila Black (p.14, 18) Advert: Revlon 'The applied art of eye-making' (p.17) A LINK ( Find Vogue in second half of document ) pinterest link to full copy of Vogue July 1965 issue
Brief 1-2 sentence introduction explaining how you will be answering the question
Main points evaluating and applying the theory ( and any other content) to the texts, with specific examples from the texts to support your points
You need to :
Explain the key points of the theory including how modern online audiences are described as active,interactive and individual "prosumers".
Use specific and relevant examples from the key texts to explain how audiences can be seen as active (website features , content of articles and pages, specific links to social media, range and type of opportunities for feedback and interaction e.g Zoella's youtube or Q and A, Attitude's social media accounts ) How far is this true ? Do both texts encourage their different audiences to be equally genuinely active or interactive and to "talk back" to the producer ? Are more traditional methods and media used ? How does this relate to their different target audiences ?
Conclusion : evaluate how faryou agree with the theory in general and whether it fully explains how online life and social media works for young modern audiences.. Are all modern and young audiences active ? Is social or online media different from traditional media in its relationship to audiences ? How important are other factors in how media is consumed , such as audience identity, media power , repetition of familiar stereotypes etc
You can use other theories and concepts such as parasocial interaction to support your points .